Post by st1_Emrys on Aug 1, 2005 10:59:20 GMT -5
Well it might be slightly long, but seeing as the name of this site is Fantasy Insanity i think this essay might be appreciated
On Fantasy
~Lloyd Alexander
When asked how to develop intelligence in young people, Einstein answered: "Read fairy tales. Then read more fairy tales." I can only add: Yes, and the sooner the better. Fairy tales and fantasies nourish the imagination. And imagination supports our whole intellectual and psychological economy. Not only in literature, music, and painting spring from the seedbed of imagination; but, as well, all the sciences, mathematics, philosophies, cosmologies. Without imagination, how could we have invented the wheel or the computer? Or toothpaste? Or nuclear weapons? Or speculate "What if—?" Or have any compassionate sense what it's like to live in another person's skin?
For me, writing fantasy for young people has surely been the most creative and liberating experience of my life. As a literary form, fantasy has let me express my own deepest feelings and attitudes about the world we're all obliged to live in.
A paradox? Creating worlds that never existed as a way to gain some kind of insight into a world that is very real indeed? The paradox is easily resolved. Whatever its surface ornamentation, fantasy that strives to reach the level of durable art deals with the bedrock of human emotions, conflicts, dilemmas, relationships. That is to say: the realities of life.
As adults, we know that life is a tough piece of business. Sometimes the most heroic thing we can do is get out of bed in the morning. I think it's just as tough for young people. On an emotional level, a child's anguish and a child's joy are as intense as our own. Young people recognize their own inner lives while they journey through a world completely imaginary.
I don't mean to imply that works of realism haven't the same profound effect on young readers. Of course they do. More often than not, however, realism tends to deal with material of immediate, current interest; with, to use a word much overused, what is relevant. All well and good. But there's a difference between what is relevant and what is merely topical. The topical goes away after a while, to be replaced by the next fashionable subject; the newest literary disease of the month, as it were. The best fantasy it seems to me, is permanently relevant. Because it deals metaphorically with basic human situations, it always has something to say to us. Also, I think that fantasy offers a certain vividness and high spiritedness unique to itself. We shouldn't underestimate the value of sheer fun, delight, and excitement. In any art, boredom is not a virtue.
Dealing with the impossible, fantasy can show us what may be really possible. If there is grief, there is the possibility of consolation; if hurt, the possibility of healing; and above all, the curative power of hope. If fantasy speaks to us as we are, it also speaks to us as we might be. •
For those of you wondering who Lloyd Alexander is, he happens to be one of my favorite authors. He wrote the Chronicles of Prydain, a fantasy series perhaps geared toward a younger audience, but it still is excellent. He won the Newberry Medal for his book The High King. The animated movie, The Black Cauldron is based upon the second book in the Chronicles of Prydain.
On Fantasy
~Lloyd Alexander
When asked how to develop intelligence in young people, Einstein answered: "Read fairy tales. Then read more fairy tales." I can only add: Yes, and the sooner the better. Fairy tales and fantasies nourish the imagination. And imagination supports our whole intellectual and psychological economy. Not only in literature, music, and painting spring from the seedbed of imagination; but, as well, all the sciences, mathematics, philosophies, cosmologies. Without imagination, how could we have invented the wheel or the computer? Or toothpaste? Or nuclear weapons? Or speculate "What if—?" Or have any compassionate sense what it's like to live in another person's skin?
For me, writing fantasy for young people has surely been the most creative and liberating experience of my life. As a literary form, fantasy has let me express my own deepest feelings and attitudes about the world we're all obliged to live in.
A paradox? Creating worlds that never existed as a way to gain some kind of insight into a world that is very real indeed? The paradox is easily resolved. Whatever its surface ornamentation, fantasy that strives to reach the level of durable art deals with the bedrock of human emotions, conflicts, dilemmas, relationships. That is to say: the realities of life.
As adults, we know that life is a tough piece of business. Sometimes the most heroic thing we can do is get out of bed in the morning. I think it's just as tough for young people. On an emotional level, a child's anguish and a child's joy are as intense as our own. Young people recognize their own inner lives while they journey through a world completely imaginary.
I don't mean to imply that works of realism haven't the same profound effect on young readers. Of course they do. More often than not, however, realism tends to deal with material of immediate, current interest; with, to use a word much overused, what is relevant. All well and good. But there's a difference between what is relevant and what is merely topical. The topical goes away after a while, to be replaced by the next fashionable subject; the newest literary disease of the month, as it were. The best fantasy it seems to me, is permanently relevant. Because it deals metaphorically with basic human situations, it always has something to say to us. Also, I think that fantasy offers a certain vividness and high spiritedness unique to itself. We shouldn't underestimate the value of sheer fun, delight, and excitement. In any art, boredom is not a virtue.
Dealing with the impossible, fantasy can show us what may be really possible. If there is grief, there is the possibility of consolation; if hurt, the possibility of healing; and above all, the curative power of hope. If fantasy speaks to us as we are, it also speaks to us as we might be. •
For those of you wondering who Lloyd Alexander is, he happens to be one of my favorite authors. He wrote the Chronicles of Prydain, a fantasy series perhaps geared toward a younger audience, but it still is excellent. He won the Newberry Medal for his book The High King. The animated movie, The Black Cauldron is based upon the second book in the Chronicles of Prydain.